The best evidence in the world doesn't move anyone until it's told as a story about someone.
I translate real evidence and real people's lives into video and photography that moves donors, partners, and policy
Two years of ongoing field documentary work for international organisations, translating public-health and livelihood evidence into human, story-driven content. This isn’t campaign work dressed up as a documentary — it’s built on informed consent, real access, and the responsibility that comes with representing someone else’s life on screen.
What makes Documentary & Field Storytelling unique:
Directing and producing field content in rural cocoa-farming communities for Elucid, working remotely with a Switzerland-based team to capture how health-insurance access actually plays out in people’s lives — not from a studio, but from the communities themselves, with all the logistics and constraints that it involves.
Public-health data and policy outcomes rarely move anyone on their own. The work is finding the one person and the one moment that make a statistic legible — as with RestoringVision’s global vision-care messaging, translated into a story about a single farmer, Agyekum, regaining his livelihood.
The RestoringVision story about Akwasi, a farmer in rural Ghana, was featured by the World Health Organisation — proof that public-health advocacy content can carry real institutional weight, not just circulate as another social post. It’s built for organisations that need content to stand up to donor, partner, and public scrutiny alike.
Every field shoot involves securing informed consent from community participants, many of them vulnerable, before a single frame is used. That standard isn’t a constraint on the storytelling — it’s what makes the storytelling trustworthy enough to matter to the people who fund and act on it.
Have a story that deserves to be told honestly and heard?
Tools
The key tools I use
Motion
Design
Lightroom
Microsoft Office
WEB DESIGN
Slack
Milanote
